Doron Sadja is an American artist, composer, and curator whose work explores modes of perception and the experience of sound, light, and space. Working primarily with multichannel spatialized sound – combining pristine electronics with lush romantic synthesizers, extreme frequencies, dense noise, and computer-enhanced acoustic instruments— Sadja creates post-human, hyper-emotive sonic architecture. Although each of Sadja’s works are striking in their singular and focused approach, his output is diverse: spanning everything from 25 speaker sound works to stroboscopic smoke and light shows, 360-degree projection pieces, and motorized speaker systems that precisely track sound around a venue.
Doron has published music on 12k, ATAK, and Shinkoyo records, and has performed/exhibited at Hamburger Bahnhof, PS1 MoMa, Miami MOCA, D’amelio Terras Gallery, Atonal Festival, Cleveland Museum of Art, STEIM, Norberg Festival, EMS Stockholm, STUK, CBK Amsterdam, Issue Project Room, and Roulette amongst others. Sadja co-founded Shinkoyo Records and the West Nile performing arts venue in Brooklyn (RIP), and has curated various new music/sound festivals around NYC. Sadja has collaborated with artists such as Tony Conrad, Aki Onda, Mario Diaz de Leon, Audrey Chen, Nenad Popov, and more. Sadja received his MFA in Sound at Bard College where he studied with Maryanne Amacher, David Behrman, Marina Rosenfeld, and Laetitia Sonami, and his BA in Technology in Music and Related Arts at the Oberlin Conservatory of Music. Currently, Sadja is the host and lecturer for the popular Berlin series, Sound Portraits, a monthly lecture and listening session focusing on experimental electronic music composers.
Doron Sadja At Sound Symposium XIX*
- Concert, The building blocks of losing One’s Self Oneself — Monday, July 9 at 8:00pm (LSPU Hall)
- Concert, The building blocks of losing One’s Self Oneself — Wednesday, July 11 at 9:00pm (LSPU Hall)
- Workshop, Sonic Phenomena — Thursday, July 12 at 1:00pm (Choral Room, MUN School of Music)
*Times and locations subject to change.